New trailers for these two projects are posted on Matthew’s ‘Career’ pages and below!

 

Posted by britgirl on February 17th, 2018 under Movie Projects with 0 Comments

As we are giving thanks for the magic of @adiscoveryofwitchestv as we wrap the first season of shooting, we mustn’t forget the other half of our team leadership. Matthew will likely never see this as he is not a big social media person, but even in that respect he so perfectly embodies the elusive, reclusive Matthew Clairmont. And he is smart, fierce, and wicked to boot. Thank you Matthew Goode for making the dream a reality and bringing this most challenging of characters to brilliant life. ❤ you and @teresapalmer—truly my dream team. — view on Instagram http://ift.tt/2F7nai0

Deborah Harkness on Instagram.

Posted by britgirl on February 16th, 2018 under TV Projects with 0 Comments

Message to Goodey from Teresa Palmer posted on Instagram –

‘Lastly to Goodey (who runs a mile at the mere mention of Instagram..) you’re the perfect Matthew Clairmont, thanks for the laughs, you’re my brother and the best partner in crime I could’ve asked for’.

 

Posted by britgirl on February 16th, 2018 under TV Projects with 0 Comments

Thanks to The Wine Show for responding to our request to post these on You Tube because they are not being shown on Channel 5!

Posted by britgirl on January 19th, 2018 under TV Projects with 0 Comments

 

Posted by britgirl on January 14th, 2018 under TV Projects with 0 Comments

We might get to see Matthew in this after all after the BBC shelved it due to allegations against an actor in the cast. They are replacing the actor concerned with Christian Cooke who starred in Cemetery Junction with Matthew – so all goode.

http://www.telegraph.co.uk/tv/2018/01/05/bbc-agatha-christie-drama-ordeal-innocence-reshot-without-ed/

 

Posted by britgirl on January 5th, 2018 under TV Projects with 0 Comments

A princess who rhymes with peril

The standout episode this year is titled Beryl—a nickname Princess Margaret uses while signing a mirror with a conveniently kept diamond—and it is primarily an episode about having a picture taken. Cecil Beaton, photographer and chronicler of royal faces that shine forth with dreamy otherworldliness, is trying to take Margaret’s portrait, and she can’t stand the stuffiness, or the best-case scenario that she’ll look like her mother. “No one wants complexity or reality from us,” the Queen Mother assures, before Beaton breaks into a daft soliloquy about a fictitious woman who lives in strife and who, on seeing the picture of a dolled-up princess in the papers, will break out the “new neckerchief” she has saved up for and walk out “renewed”. Churchill might have approved of this idealized depiction of iconography, but Margaret is a harsher critic.

She is also a lonely girl. Played with an effervescent uncertainty and self-protecting bitterness by the stunning Vanessa Kirby, Margaret is a woman wanting love and—despite her drily voiced disdain—conventional happiness. This episode, directed again by Caron, approaches that all-powerful yearning for cliché via a heady take on romantic-comedy tropes, frequently even leaning on the works of the writer Richard Curtis: Meetings and conversations take place at various wedding parties, like in Four Weddings And A Funeral, and some scenes requiring an incredibly famous woman to hobnob outside her circle do borrow from Notting Hill. Princess Margaret is arching her immaculate eyebrow at those-too-cool-to-get-up-and-greet-her when she finds her Manic Photographer Dream Boy.

Antony Armstrong-Jones, who insists on being called Tony, is played by Matthew Goode as the rake to end all rakes, a photographer so damnably cool that he can’t often be bothered to look through his camera while taking a picture. He stares, instead, at the subject before forcing his intrusive personality upon her. Margaret finds herself thrilled even as she can see through his act—she chastises him for a routine she calls “too practised, too well-oiled”—while he keeps upping the ante. To her, this ridiculous man, one who authoritatively slides her dress off her shoulders or makes a show of appreciating her posterior while she looks at him in the mirror, is what she herself wants to be: the ultimate provocateur.

[LiveMint]

Posted by britgirl on December 28th, 2017 under TV Projects with 0 Comments
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