‘Freud’s Last Session’ premieres on Sky Premiere/Sky Cinema on Sunday at 6.10pm in the UK

Information from ‘Collider’ –

The full 3-season run of the AMC show A Discovery of Witches will be available. Based on the best-selling series by Deborah Harkness, the series is often described as Twilight for adults. Whether or not you agree with that sentiment, following the mystery of reluctant witch Diana Bishop (Teresa Palmer) and the brooding vampire Matthew de Clermont (Matthew Goode), who insists on protecting her, is one to watch. As the pair not only track down a once-hidden alchemical manuscript that possibly holds the origins of their species, they fall in love in a deliciously forbidden romance. Joined by them in their journey are Diana’s aunts: Sarah Bishop (Alex Kingston) and Emily Mather (Valarie Pettiford) as well as Matthew’s own mother Ysabeau de Claremont (Lindsay Duncan) and his vampire son Marcus Whitmore (Edward Bluemel). Now might also be the perfect time to catch up, as author Deborah Harkness has released another installment in the series, Black Bird Oracle.

Full article here – https://collider.com/amc-shows-streaming-netflix/

All images from  @Marx_ist   – Twitter/X

Starring 2x Academy Award-winner Sir Anthony Hopkins as renowned psychologist Sigmund Freud and Primetime Emmy nominee Matthew Goode as C.S. Lewis. Directed by Matthew Brown and based on the acclaimed stage play by Mark St. Germain.

Australian distributor of ‘Freud’s Last Session –  @sharmillfilms has shared some behind the scenes clips in a reel on Instagram and Twitter-  View here : https://www.instagram.com/reel/C7DcCeutLO7/?utm_source=ig_web_button_share_sheet&igsh=M2M0Y2JmOTAyOA==

Video on demand is available to purchase from 20th May and can be pre-ordered now in the UK.

ComicBook.com interviewed Tyler Gillett and Matt Bettinelli-Olpin [Radio Silence] about their horror-comedy.  Extract about casting Matthew Goode –

Matthew [Goode] did not have to audition because we are mega fans, specifically, of his portrayal of Robert Evans in The Offer. It’s like a 10 out of 10, if you haven’t seen it. But when he said he’d do it … Sometimes you’re looking for something and then, at a certain point, it’s like it fits the box and you go, “Oh, my God, there it is. That’s it.” And as soon as he said he was in or was interested or his name came to us, I don’t really remember how that exactly happened, but we immediately went, “Oh, my God, he would be f-cking perfect.” And then in our opinion, he nailed it and is.

Gillett: We needed somebody to … The way that they carry themselves actually to bring a level of mystery and nuance to what that character is instead of this just big, brute force. There’s something very graceful and ethereal and strange about how Matthew looked in the teeth and the costume. And I think it implies so many interesting little pockets of history and story that exist off-screen. I mean, look, I think what being a talent like him is, right? You bring that sense of it, feeling lived in, even if you’re on-screen for a minute and 40 seconds or whatever that scene actually is, it was really wild to watch that come together. It’s such a short amount of time, but so important and so essential to the end of the movie.

Full interview here [Contains spoilers!]  – https://comicbook.com/horror/news/abigail-tyler-gillett-matt-bettinelli-olpin-interview-radio-silence-easter-eggs-danzig/