There will also be a virtual panel of cast and crew at London Comic Con on the 23rd October but Matthew Goode is not listed to appear.
Information from ADiscoveryofWitchTV Twitter.
number #1 for Matthew Goode
There will also be a virtual panel of cast and crew at London Comic Con on the 23rd October but Matthew Goode is not listed to appear.
Information from ADiscoveryofWitchTV Twitter.
A few teasers for A Discovery of Witches season 3 are in this Sky trailer –
We bring the TV that gets you talking and we have plenty more where that came from. Discover your next #UnmissableOnSky
— Sky TV (@skytv) September 15, 2021
A fan has shared the Sky Max promotion trailer on YouTube which includes some tiny clips of A Discovery of Witches season 3. Link here – Click here.
Thank you to VGX / TVHolidays for sharing this.
Nicola Wilder, one of the on set photographers on ‘The Offer’ shared a lovely post about Matthew –
I have had the amazing pleasure and opportunity to photograph British actor Matthew Goode on “The Offer: The Making of The Godfather”…his portrayal of Robert Evans has been epic…as a crew we have all been blown away at his performances in every scene…and he also happens to be incredibly funny, kind, and wonderful to be around and work with…
The Wine Show season 3 will arrive on Sundance Now and AcornTV on Thursday 29th July, 2021. The previous two seasons are already available on the same channels.
Picture from @WineShowTV twitter.
AMC Talk
A Discovery Of Witches Q&A —Matthew Goode On Playing A More Ruthless Version Of Matthew
In A Discovery of Witches, Matthew Goode plays Matthew Clairmont, a cunning, mysterious vampire who finds love with a witch. Season 2 finds Matthew and witch-in-training Diana, in 1590 London, as they continue their search for The Book of Life. In this interview with amc.com, Goode talks about becoming a more ruthless version of Matthew, how Matthew really feels about Kit, and the magic of working with Teresa Palmer.
Q: It’s clear that the Matthew we meet circa 1590 is a different man. Not only in style and costume, but also in demeanor, and the way he carries himself. Can you talk a bit about transforming into this earlier version of Matthew?
A: It’s 1590, so they were quite literally darker times. It’s medieval. I looked at paintings; they held themselves in a different way, just due to the nature of the clothing. Matthew has evolved up into the 21st century, so he knows that the man in the 16th century is a completely different Matthew. He was much more dangerous as an individual. He hated witches. There was much more warfare going on during those times. They were just much more dangerous times.
So, it’s a part within a part. He has to play himself and it’s not a very easy thing for him to do. I mean, he’s always got pretty good posture, but I wanted him to feel a little more awkward and be a bit more rigid. We were able to give him a beard, and we played with the idea of just making him look like men that we’d seen in paintings.
Full interview in the press archive and here: – https://www.amc.com/blogs/a-discovery-of-witches-qa-matthew-goode-on-playing-a-more-ruthless-version-of-matthew–61411
More info’ from Variety –
Netflix has announced that a host of bold-name British stars – including actor Helena Bonham Carter and rapper Dizzee Rascal – will join the cast of its quirky new animated series “The House.”
The announcement was made during a session at the Annecy International Animation Festival, where Netflix offered fans a sneak peak at the adult-oriented show, which is being produced by Nexus.
Bonham Carter will voice Jen, an “eccentric tenant,” while Rascal will voice a character only known as “the Policeman”.
Joining the duo are Mia Goth (“Emma”), Miranda Richardson (“Stronger”) and Matthew Goode (“Stoker”). Pulp frontman Jarvis Cocker will also be among the vocal talent.
“The House” is a stop-motion animation in three unconnected parts. Described as an “eccentric dark comedy” it centers around a single house and its inhabitants. During the Annecy panel, fans also got a look at the creative process and some of the puppets.
Chapter one is directed by Belgian auteurs Emma de Swaef and Marc James Roels (“This Magnificent Cake!”), Chapter two by Swedish director Niki Lindroth von Bahr (“The Burden”) and Chapter three by Paloma Baeza (“Poles Apart”)
“The characters in ‘The House,’ albeit in different ways, are all trying to make sense of the world and their place within it,” said producer Charlotte Bavasso. “It’s about their flawed attempt to conform to an idea of who they think they are or who they think they ought to be. And whether they manage to break free or not. We couldn’t have dreamt of a better cast: they all embraced the heart of those existentialist comedies and the uniquely caustic sense of humor of our visionary filmmakers and writer in spectacular ways.”
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[Pic – Netflix via Variety]