number #1 for Matthew Goode
Matthew is doing a lot of promotion work for ‘A Discovery of witches’ today – two interviews are here and he was on Steve Wright in the afternoon on Radio 2
https://www.youtube.com/watch?time_continue=2&v=vKHi1XtBPQE
To find the Radio 2 Interview – go to the BBC Radio Player and look up Steve Wright in the Afternoon. You can click on ‘restart’ and Matthew is on at 16:20pm.
https://www.bbc.co.uk/radio/play/live:bbc_radio_two
New promotional pictures of Matthew in ADOW have been added to the Image Gallery today.
Picture credits to HBO Nordic, Sky and Kinopoisk
More to follow next week! Away until Tuesday.
Scanned by @fangirl30something on tumblr.
There are plenty of pictures in the current issues of TV listings magazines in the UK but the Radio Times has the most coverage so check it out.
Adorable interview with these two recorded today. The ADOW premiere is later today!
https://www.facebook.com/BUILDseriesLDN/videos/385284825339274/
With his easy charm, swept-back hair and a deathly pallor about his gaunt face, Matthew Goode is about to become the sexiest vampire to grace the screen since Robert Pattinson’s saturnine Edward Cullen in the Twilight saga.
He plays Matthew Clairmont, an enigmatic professor with a taste for blood, in a major new TV adaptation of the bestselling novel A Discovery Of Witches – the first book in American scholar Deborah Harkness’s All Souls trilogy.
But if you think you’re in for another generic slice of crucifixes and stakes through the heart, think again, says Matthew.
The full interview can be found in the press archive.
An extract from Josh Trebuchon’s article in ‘Technique’
Perhaps the least likable character in the series is the one most masterfully acted. The character of Phillip Durrant, a former war pilot who is paralyzed from the waist down by a car accident, is the Argyll family’s resident provocateur. Portrayed by Matthew Goode (“The Imitation Game”), he airs out each character’s doubts about who has committed the crime with detachment and brutal honesty, as though he approaches the consequential issue as a mere intellectual exercise.
In the hands of a lesser actor, Durrant would come across as a villain, but Goode’s performance highlights the character’s brokenness and demonstrates that his cruelty is simply a method by which he copes with his
own disability.
The full article can be found the press archive.
